Reason, the state, progress, the will itself — each is enthroned, and each collapses, is carried into captivity, and slowly finds the long way back. One drama, repeated; many catastrophes, one law.
Why the green why? Because after every collapse one thing keeps growing back through the crack — the living question that no idol could answer and no captivity could kill. This is the site of that question, asked across three thousand years.
The voice that names the idol aloud — and is the first to think its collapse. From the first kingdoms to the death of God and after.
Enter →The voice that gives collapse and captivity a language — lament, tragedy, the novel of conscience — and keeps the memory of what was remelted.
Enter →The visible voice — from the gold ground of the icon to Black Square and Guernica: an age's idol, its collapse and its hope, in colour.
Enter →Where the word fails, sound gives lament, terror and resurrection — from temple psalms to Requiems and the Resurrection Symphony.
Enter →One drama descends through history — myth, antiquity, the cross, the modern idols and their collapse — and every figure, every work sits at its place on the line: a living double helix of 21 stations and hundreds of voices, from Eden to the New Kingdom.
Enter the arc →